Mario Sapio, Il Museo di Capodimonte, Napoli, Arte'm, 2012. 21.05.1996 - 31.07.1996, San Lorenzo de El Escorial - Real Monasterio de San Lorenzo de El Escorial (Deposit). Parma, Parma, Emilia-Romagna, Italy. Goya. Nm. Madrid Manuel Godoy was made universal heir in her will, with the statement that he had shared their exile and lost his property for it. / 964. Parma, Parma, Emilia-Romagna, Italy. Grow your brand authentically by sharing brand content with the internets creators. Muller, Priscilla E., Jewels in Spain, 1500-1800: [a fully documented account of jewels, jewelers and their patrons in the Peninsula from the reign of Ferdinand and Isabella through that of Charles IV and Maria Luisa of Parma], The Hispanic Society of America, Nueva York, 1972, pp. Maria Isabella, Infanta of Spain, Queen of the Two Sicilies. Maria Luisa was fifteen when this portrait was made. It was an order expressly for women. Angelis, Rita de, La obra pictrica completa de Goya, Noguer, Barcelona, 1975, pp. On the first meeting between Charles IV and his ministers, Maria Luisa was present, a step which attracted attention and which became the rule during the reign of her spouse. This article about an eighteenth-century painting is a stub. / Tiene una rosa en la mano.
Francisco Goya Paintings & Artwork Gallery in Chronological Order Born in Parma, she was christened Luisa Mara Teresa Ana after her maternal grandparents and her mother's favourite sister Anne Henriette of France, but is known to history by the short Spanish form of this name: Mara Luisa,[1][failed verification] while Luisa was the name she used in private.[2]. Her parents had been the Duke and Duchess of Parma since 1749, when the Treaty of Aix-la-Chapelle (1748) awarded the duchy to the Bourbons. Parma Portrait by Goya, 1789. Goya. He was overthrown in 1808 and exiled, with his wife, the Queen, to Rome, as a prisioner of Napoleon.
Portrait of Maria Luisa di Parma - Cinello Jackson MS The resulting expression when her mouth was closed was later reflected perfectly in numerous portraits that Francisco de Goya painted when she . ): Women in World History, Bd. Maria Luisa was fifteen when this portrait was made. Numerous versions survive, each with its own slight changes and variations. Portrait paintings of Maria Luisa of Parma. Maria Luisa married her first cousin Charles IV in 1765.
lm.127. Portrait paintings of Maria Luisa of Parma; 19th-century portrait paintings in the Palace of Caserta; 1820s dresses; 1818 portrait paintings of women; 19th-century oil portraits of standing women at full length in ceremonial mantles; 18th-century pendant portrait paintings of wedded couples of royalty; Badge of the Order of Ladies of Queen . 5 (January, 1966), French Paintings in The Metropolitan Museum of Art from the Early Eighteenth Century through the Revolution, European Paintings in The Metropolitan Museum of Art by Artists Born before 1865: A Summary Catalogue, European Furniture in The Metropolitan Museum of Art: Highlights of the Collection, St. Peter Baptizing Cornelius (Acts 10: 44-48). Baptism of Mary Louise of Parma. (dir. Rose-de Viejo, Isadora, Ausencias/Presencias: signos de presencia en los retratos de Goya, Anales de historia del arte, Vol. Charles IV of Spain (Goya) (3 C, 10 F) Media in category "Portrait paintings of Charles IV of Spain" This collection was later transferred to Madrid. "[4] 66. Enciclopedia del Museo del Prado, IV, Fundacin Amigos del Museo del Prado, Madrid, 2006, pp. Goya showcases her experience by covering her face with rouge. Art Reproductions | Portrait of Maria Luisa of Parma by Luis Paret Y Alczar (1746-1799) | ArtsDot.com. While it was painted in 1789, Goya left it unfinished, later modifying it in about 1799 by updating her clothes to give her an Empire-style dress and a turban-like headdress. Carlos IV: mecenas y coleccionista, Patrimonio Nacional; Sociedad Estatal de Conmemoraciones Culturales, Madrid, 2009, pp. Born at the Royal Palace of Aranjuez, he married. Portrait of Queen Maria Luisa of Parma. 1752 February 12, 1752. Nuevas Adquisiciones (iniciado en 1856).
Portrait of Queen Maria Luisa of Parma | Francisco de | Museo Goya A miscarriage of a daughter in the 6th month of pregnancy (16 August 1776). Age 13. Her father-in-law Charles III viewed her to be frivolous and attempted to control and supervise her private life and restrict her personal freedom, but with little success. She had 24 pregnancies of which she had 10 miscarriages and 14 children were born, seven of whom survived into adulthood.
Category : Portrait paintings of Maria Luisa of Parma - Wikimedia 174-177. Laurent Pcheux (French, Lyons 17291821 Turin), After Hyacinthe Rigaud (French, Perpignan 16591743 Paris), Paulus Bor (Dutch, Amersfoort ca. Testamentara Carlos III, Palacio Nuevo, 1794. Copyright 2023.
Here, her facial features do not yet show the changes produced when she lost all her teeth. This, in turn, affected many events during Charles IVs reign, and in the long run, it contributed to his dethronement. Regarding her appearance, she was considered to be pretty at the time of her wedding.
Category : Portrait of Maria Luisa di Parma OA 119 On the first meeting between Charles IV and his ministers, Maria Luisa was present, a step which attracted attention and which became the rule during the reign of her spouse. [9] Aside from her purported affairs, there were several other well known rumors circulating about her. de BB.AA. Catlogo Museo del Prado, 1854-1858. The Getty Images design is a trademark of Getty Images. 157, n. 7104. "Only my Strength of Will Remains", Dreams. The consent submitted will only be used for data processing originating from this website. New York. Print artworks available in our catalogue in high quality and your preferred size and finish. Streamline your workflow with our best-in-class digital asset management system. The portrait indicates the different working methods of Goya. Tel +34 91 330 2800. Laurent Pcheux (French, Lyons 17291821 Turin), Medium:
Portrait of Maria Luisa of Parma. 280-281, n. 178. These studies were of help to him and his assistants since they frequently made a series of official portraits. Hofmann, W. The death of her daughter-in-law Princess Maria Antonia of Naples and Sicily, whom she disliked, was said to be the poisoning by the Queen. Sambricio, Valentn, Los retratos de Carlos IV y Mara Luisa de Parma, por Goya, Archivo Espaol de Arte, XXX, 1957, pp. Medium: oil on canvas. National Museum of Capodimonte, Naples. Catalogo de la Pintura, Academia de Bellas Artes de San Luis, Zaragoza, 1994, pp. The exhibition in the Prado Museum, The exhibition Spanish Drawings from the Hamburger Kunsthalle: Cano, Murillo and Goya, Goya's technique in the "Charles III in Hunting Dress", Temporary Installation: Constitutional ideas in Goya's work, TECHNICAL STUDY: The Snowstorm or Winter.
Maria Luisa of Parma - Infogalactic: the planetary knowledge core Drawings. Goya was considered one of the last Old Masters and one of the first moderns. Portrait paintings of Maria Luisa of Parma; Portrait paintings by Anton Raphael Mengs (Spanish nobility) Paintings by Anton Raphael Mengs in the Museo del Prado; 18th-century portrait paintings in the Museo del Prado; 1760s dresses; 1760s oil on canvas paintings in Spain; 1765 oil on canvas paintings; 1765 portrait paintings of women He was an artist in Spain and was known for his paintings that ushered in classic painting styles into the modern era. He achieved this by using the form of a Mahi. Figura de pie de medio cuerpo y tamao natural. The new King and Queen must have posed for live studies by the painter. She was the youngest daughter of Philip, Duke of Parma, the fourth son of Philip V of Spain, and Louise lisabeth of France, the eldest daughter of King Louis XV and his polish born wife, the popular Queen Marie Leczinska. 32, n. 157. Bd. In 1788, her husband succeeded his father as Charles IV of Spain, making Maria Luisa queen. y Bienes Culturales, Instituto del Patrimonio Histrico Espaol, Autor = D. Francisco Goya/ 1337. They were sent to Maria Isabella and they are both now in the National Museum of Capodimonte in Naples.[2]. 348, n. 1337. 1337. His Neoclassical style was diametrically opposed to Tiepolos, whose style and paintings were falling out of fashion. Portrait of Maria Luisa of Parma is a portrait of Maria Luisa of Parma, wife of Charles IV of Spain, produced as a pendant painting to a portrait of her husband. Angelis, Rita de, L`Opera Pittorica Completa Di Goya, Rizzoli, Miln, 1974, pp. Mengs had a profound influence on the younger generation of Spanish painters, notably on the Bayeus, Maella, Inza, Goya and Vicente Lpez Portaa. A miscarriage of a daughter in the 4th month of pregnancy (19 December 1775). However, the young duke died in 1761. The Queen had been a lively and graceful beauty in her youth; by 1789 she had lost most of her charms, but Goya depicted her as an elegant woman according to the extravagant fashion of the time, interested in what was going on around her, with an alert and curious gaze and an agreeable smile. ), The Majesty of Spain. Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee. Royal Collections from The Museo del Prado & The Patrimonio Nacional, Jackson (Mississippi), Mississipi Commission For International Cultural Exchange, 2001, p.84-85. Her father-in-law took care to remove both Charles and Maria Luisa from interfering in state affairs; however, while her husband was of a passive character and devoted to his interests in hunt and mechanics, Maria Luisa was interested in state affairs and, being the dominant partner of the two, became the leading figure in the circle of opposition which gathered around the heir to the throne. Touring Club Italiano, Museo di Capodimonte, Milano, Touring Club Editore, 2012. 33 (1860), Sp. The large stone vase with flowers and various branches on the left strengthens the effect of perspective and depth. Pintor de retratos, I, Blass y Ca., Madrid, 1916, pp. Francisco de Goya y Lucientes Maria Luisa of Parma (9 December 1751 - 2 January 1819) was Queen consort of Spain from 1788 to 1808 by marriage to King Charles IV of Spain. 26.260.9. Zaragoza Access the best of Getty Images with our simple subscription plan. Location.
To view the purposes they believe they have legitimate interest for, or to object to this data processing use the vendor list link below. Goya was a court painter to the Spanish royal family. Maria Luisa of Parma (17511819), Later Queen of Spain, Artist:
174-177). Retrato de Maria Luisa, su esposa. The portrait indicates the different working methods of Goya. Files are available under licenses specified on their description page. A Project by Miguel ngel Blanco: Satanic Invocation, Commented works: The Pradera de San Isidro, Francisco de Goya y Lucientes, (1788), by Enrique Quintana, Goya. Portrait of queen Maria Luisa of Parma (1819) Summary[edit] Vicent Lpez Portaa: Mara Luisa de Parma ( ) Artist artist QS:P170,Q117543 Title Mara Luisa de Parma Description Her long earrings and sumptuous necklace are also of diamonds. Title: Medallion with a portrait of Maria Luisa of Spain; Date Created: 17th century (second-half) Location: Ajuda National Palace, Lisbon, Portugal; Location Created: Spain; Physical Dimensions: 5.7 cm x 2.7 cm x 0.5 cm; Provenance: Portuguese Royal Collection; Subject Keywords: Royal Portrait; Rights: ADF - Manuel Silveira Ramos; Medium . Maria Luisa of Parma (17511819), Later Queen of Spain, The Wrightsman Galleries for French Decorative Arts, The Metropolitan Museum of Art, The Metropolitan Museum of Art Bulletin, v. 24, no. A miscarriage of a son in the 4th and a half month of pregnancy (20 March 1796). 186, n. 116. It is believed to be the official portrait commissioned for the engagement of the Prince and Princess Mara Luisa. 213, n. 194b. Here is a link to download the audio instead. The rang of the colors is exquisite, and the artist has placed the figures in front of a set of green silk curtains, painted with vibrant and rapid brushstrokes that were far removed from the belabored and highly polished technique of Mengs and his followers (Text drawn from Mena, Manuela., The Majesty of Spain, Jackson, Mississippi, 2001, pp. Marie-Louise-Thrse de Parma. Valid today:03/06/2023. ), The Majesty of Spain. As a recently named Royal Painter, the artist was responsible for supplying portraits of . Her Royal Highness the Princess of Asturias. Maria Luisa of Parma (Luisa Maria Teresa Anna; 9 December 1751 2 January 1819) was, by marriage to King Charles IV of Spain, Queen of Spain from 1788 to 1808 leading up to the Peninsular War. We continue to research and examine historical and cultural context for objects in The Met collection. A miscarriage in the 1st month of pregnancy (4 December 1789). Her relationship with Manuel Godoy and influence over the King made her unpopular among the people and aristocrats. Artist. Asunto: Retrato de D Mara Luisa de Parma siendo Princesa de Asturias (Repeticin o copia del N 2189 de este Museo) /Dimensiones: Alto 1,38 Ancho 1,03', Tha majesty of spain. Her husband was the son and heir of the widowed Charles III of Spain, previously Duke of Parma and King of Naples and Sicily. The resulting expression when her mouth was closed was later reflected perfectly in numerous portraits that Francisco de Goya painted when she was queen. Asunto: Retrato de la Reina Mara Luisa de Parma. Some of our partners may process your data as a part of their legitimate business interest without asking for consent. A miscarriage in the 1st month of pregnancy (30 January 1790). /Dimensiones: Alto 1,52; Ancho 1,10 [Al margen del n 1335], Procede del Ministerio de Hacienda incorporado al Museo por Reales rdenes de 15 de febrero y 10 de marzo de 1911 lo mismo que los tres siguientes, Museo Nacional del Prado">Museo Nacional del Prado, Order of the Starred Cross (or Military order of Maria Teresa of Austria), Natural Histories. Here, her facial features do not yet show the changes produced when she lost all her teeth. His influence came from the 19th and 20th-century artists. L'autobiografia di Lorenzo Pecheux sino al 1804 (17291804); Le opere pittoriche di Lorenzo Pecheux dal 1753 al 1804. Goya showcases her experience by covering her face with rouge. Cuadros depositados en Zaragoza, Boletn del Museo del Prado, XVI, 1995, pp. This formally gave her the position of princess of Asturias, or crown princess. Mara Luisa de Parma (Parma, 1751 - Rome, 1819) was the daughter of Philip of Bourbon, Duke of Parma, and Louise lisabeth of France. Her parents had been the Duke and Duchess of Parma since 1749, when the Treaty of Aix-la-Chapelle (1748) awarded the duchy to the Bourbon.She, her brother Ferdinand, and her sister Isabella were educated in Parma by tienne Bonnot de Condillac, a well-known . "Only my Strength of Will Remains", The 12th Marchioness of Villafranca painting her Husband, Eighteenth-century Painting Collection and Goya, Commented works: Daedalus watching his son Icarus fall" by Francisco de Goya, Disasters of War. Nm. Request artworks available in our catalogue in digital format. ], 1985, pp. A building can be seen in distance, beyond the greenery. Mengs emphasizes the volume of this figure by placing it squarely on the foreground, and backlighting it. Mara Luisa. 90 7/8 x 64 3/4 in. The insignia of the Order of the Starred Cross of the Holy Empire rests on her bosom, and small diamond brooches are visible under her chignon. Nm. 30-31; 170, n. 31. Autor = D. Francisco Goya/ 1337. Barghahn, Barbara Von, Age of Gold, Age of Iron. Continue with Recommended Cookies. 188, n. 116. Inventario general de pinturas (I) La Coleccin Real, Museo del Prado, Espasa Calpe, Madrid, 1990. Palacio de Aranjuez, Boletn del Museo del Prado, II, 1981, pp. Portrait of Maria Luisa of Parma is a portrait of Maria Luisa of Parma, wife of Charles IV of Spain, produced as a pendant painting to a portrait of her hu. El Prado en el Hermitage, Museo Estatal del Hermitage: Museo del Prado, 2011, pp. 20002023 The Metropolitan Museum of Art. Copyright 2023. 14.02.1997 - 06.04.1997, Tapices y cartones de Goya This portrait, whose commission is recorded in great detail in the artist's autobiography, was for the family of her fianc, the Prince of Asturias, later Charles IV of Spain (17481819). Museo Nacional del Prado, Museo del Prado: inventario general de pinturas, III, Museo del Prado, Espasa Calpe, Madrid, 1996. Trasquartos de la Rn nra. Equestrian portrait of Maria Luisa of Parma Francisco Goya Original Title: Retrato ecuestre de Mara Luisa de Parma Date: 1788 Style: Romanticism Genre: portrait Dimensions: 338 x 282 cm Order Oil Painting reproduction Tags: female-portraits Horse Bridle Rein Western riding Animal sports Recreation Stallion Saddle Reining Equestrianism The Museum looks forward to receiving your comments. 28014. 740 C. Catlogo Goya, Pierre Gassier y Juliet Wilson. "Only my Strength of Will Remains", Commented works: Self-portrait, Francisco de Goya y Lucientes, (1796 - 1797), by Juliet Wilson- Bareau, Goya's technique in the "Blind Man's Buff", Album A. Goya. Most of his job entails recreations of war battles and royal members. Honisch, Dieter, Anton Raphael Mengs Und Die Bildform des Fruhklassizismus, Aurel Bongers, Recklinghausen, 1965, pp. Presentation of the Department of Prints and Drawings, "Caprichos". Experts noted this after detecting the precise modelling, sharp facial expression, and the depth of her gaze. Upon the death of Charles III, Goya was asked to paint portraits of the new monarchs, Charles Bourbon IV and his wife, Mara Luisa of Parma. (dir. Herrero Carretero, Concha, Tapices y cartones de Goya, Patrimonio Nacional, Madrid, 1996, pp. Boards are the best place to save images and video clips. Their son Ferdinand VII also attended the meeting. Mantel clock, signed Jean Franois Bckaert, 45.5 x 31 x 21 cm. It is believed to be the official portrait commissioned for the engagement of the Prince and Princess Mara Luisa. Date: 18 th century . Twins, born and died at the Royal Palace of La Granja de San Ildefonso. Godoy was also rumored to be the natural father of several of her children.
(230.8 x 164.5 cm), Classification:
Loga, V. von, Francisco de Goya, G. Grote`sche Verlagsbuchhandlung, Berln, 1903, pp. 98, n. 284. [1] Both works were long thought to be a copy after an autograph work by Francisco Goya, but they have now been definitively reattributed as autograph works by Goya himself, produced . ), El Arte de Goya, Mainichi Shimbun, Tokio:, 1971, pp. All the time. All rights reserved, The itinerary
TITULORECORRIDO has been successfully created. Drawings. Beneath the portrait of Maria Luisa was her original live study. Request artworks available in our catalogue in digital format. FREE Shipping. Mayoral y Herrero, Jos, El prognatismo inferior en los Borbones de Espaa. 1765-1769, Palacio de Caserta).jpg, Mara Luisa de Parma (Museo Lzaro Galdiano, Madrid).jpg, Mara Luisa de Parma como princesa de Asturias (Real Academia de Bellas Artes de San Fernando).jpg, Mara Luisa de Parma, reina consorte de Espaa, por Zacaras Gonzlez Velzquez (Museo de Historia de Madrid).jpg, RetratoDeMaraLuisaDeParma (46905244472).jpg, Maria Luisa of Bourbon - Accademia Albertina, Turin.png, Spanish School - Presumed portrait of Maria Luisa of Parma, Princess of Asturias.png, https://commons.wikimedia.org/w/index.php?title=Category:Portrait_paintings_of_Maria_Luisa_of_Parma&oldid=738202059, 18th-century portrait paintings of queens, 19th-century portrait paintings of queens, 18th-century portrait paintings of royalty of Italy, 19th-century portrait paintings of royalty of Italy, 18th-century portrait paintings of royalty of Spain, 19th-century portrait paintings of royalty of Spain, Portrait paintings of members of the House of Bourbon, Creative Commons Attribution-ShareAlike License. Museo Nacional del Prado. portrait Description Italiano: ritratto di Maria Luisa di Spagna Depicted people Maria Luisa of Parma Date End of the eighteenth century Goya. This portrait is a copy of original, also owned by the Prado and traditionally dated circa 1765. Nuevas Adquisiciones (iniciado en 1856). Organize, control, distribute and measure all of your digital content. 130. 2023 Getty Images.
File:Maria Luisa de Parma a caballo.jpg - Wikimedia Commons Portrait of Maria Luisa of Parma Google Arts & Culture 104. Her portrait seems to have been painted in Aranjuez, as it depicts the land-scape behind the palace. He was a refined and skyfull court painter with exquisite technique, enamel-bright colors, minutely detailed fabrics and jewelry, and flesh tones as fine and luminous as porcelain. Vega, Jesusa, ''La Reina Mara Luisa. 37275, 394], notes that the duke of Parma could not find a painter and that his minister, du Tillot, lobbied for Pcheux; observes that he "worked assiduously on the portrait" for forty days and sent it to Madrid in May where it was received with satisfaction by the King. Museo Nacional del Prado, Museo del Prado. Roettgen, Steffi, Anton Raphael Mengs, 1728-1779, I, Hirmer Verlag, Mnchen, 1999, pp. Tokio 668f. Nm. As a recently named Royal Painter, the artist was responsible for supplying portraits of the Royal Family; aided by several painters in his workshop, he was required to fulfill the commissions of numerous different institutions and private citizens throughout Spain who wanted to have official representations of the King and Queen. In: Anne Commire (Hrsg.
Maria Luisa of Parma - Royalpedia [1] Both works were long thought to be a copy after an autograph work by Francisco Goya, but they have now been definitively reattributed as autograph works by Goya himself, produced late in the 18th century. Catlogo ilustrado y estudio de la exposicin en el Ministerio de Instruccin Pblica y Bellas Artes, II, D. Gral. She was known for her elegance and extravagance in fashion and jewelry. Her Royal Highness Princess Maria Luisa of Parma, In. Your browser doesn't support HTML5 audio.
File:Mengs - Maria Luisa of Parma, Prado.jpg - Wikimedia Commons Madrid. All rights reserved. The Met's celebrated European Paintings collection encompasses more than 2,500 works of art from the thirteenth through the early twentieth century. Scroll left to view more. When her elder sister Isabella died in 1763, there were suggestions that Maria Luisa marry her sister's widower, Emperor Joseph II, but the proposal was refused and her engagement to Charles of Asturias was confirmed. Read the additional visitor guidelines.
Portrait of Maria Luisa of Parma - Wikiwand Mara Luisa of Parma (Parma, 1751-Roma, 1819) was the daughter of Philip of Bourbon, Duke of Parma, and of Luisa Isabel of France. Bequest of Annie C. Kane, 1926, Accession Number:
Iglesias, Mara del Carmen, Carlos III y la ilustracin: 1788-1988, Ministerio de Cultura, Madrid, 1988, pp. These he kept in his workshop, so that he or his assistants could make from them a series of official portraits for the commissions requested of him. Goya kept the live studies of King Charles Bourbon IV and Queen Maria Luisa in his workshop. 7104. Asunto: Retrato de D Mara Luisa de Parma siendo Princesa de Asturias (Repeticin o copia del N 2189 de este Museo) /Dimensiones: Alto 1,38 Ancho 1,03', San Lorenzo de El Escorial - Real Monasterio de San Lorenzo de El Escorial, Museo Nacional del Prado">Museo Nacional del Prado, Mara Luisa of Parma, Princess of Asturias, Portrait of King Charles IV as Prince of Asturias, The Youthful Saint John the Baptist in the Desert. Mayer, August L., Francisco de Goya, F. Bruckmann A. G, Munich, 1923, pp. Buy 3 paintings and get 5% + 5% off on all items. This portrait was intended as a matched pair with the Portrait of King Charles IV as Prince of Asturias (P007130) (Text drawn from Luna Fernndez, Juan J., The Majesty of Spain, Jackson, Mississippi, 2001, p. 70). This painting is a fine example of Mengss court portraits. Bollea 1942, pp. Maria Luisa, her brother Ferdinand and her sister Isabella are traditionally said to have been educated by tienne Bonnot de Condillac, a well-known French philosopher. Maria Luisa wanted Goya to depict her as a girl from the people. lm.158. [6] The truth of them is however questioned, and some issues may have been fabricated or exaggerated for political reasons by the royal court as well as by foreign powers. Now you can add in works from the Collection browser,
TITULOOBRA added to
TITULORECORRIDO itinerary, Mara Luisa of Parma, Princess of Asturias, Snchez Cantn, Francisco Javier; Pita Andrade, Jos Manuel, Gobierno de Aragn, Departamento de Educacin y Cultura, Patrimonio Nacional; Sociedad Estatal de Conmemoraciones Culturales, Museo Estatal del Hermitage: Museo del Prado, Trasquartos de la Rn nra. [5] Being the dominant party in the marriage, Maria Luisa dominated Charles IV and thus the government, but was in turn reputed to be dominated by prime minister Manuel de Godoy. BV, Wien 1989. Royal collections from the Museo del Prado and the Patrimonio Nacional presented by The Mississippi Commission for International Cultural Exchange, Mississipi Commission For International Cultural Exchange, Jackson, 2001, pp. Prez Snchez, Alfonso E., Panorama de la pintura espaola desde los Reyes Catlicos a, Servicio de Publicaciones del Instituto de Coopera, Madrid, 1980, pp. Obras Maestras del Museo del Prado, The Yomiuri Shimbun, Tokyo, 2002. [7] The veracity of that testimony, however, remains disputed.
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